This a Theatre/theory English bullet-pointed paper. Please refer to the assignment instructions....

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This a Theatre/theory English bullet-pointed paper. Please refer to the assignment instructions. Just do it to your best of your ability. I just want to at least pass. Please also refer to the syllabus the one that highlights the assignment and requirements. Or have an overview of the readings so you can reference the Chicago style accurately, please. Use the main sources and readings. As well as whatever sources you can to highlight the theatre approach and link it to the question being asked. Please make sure there are primary and secondary sources. Thanks

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A postmodern reading of Shakespeare’s A Midsummer Night’s Dream prepares the audience for the enchanting design of dreams. There is an undertone of threat that the play itself might be undone. A hidden desire for love and the struggle to achieve drives home the overall plot of the play. Desire, in the entire reading, seems to be the most promising theme of the same. The interdependence of destiny and love is apparent. However, the question of who the character should love versus who they love is rather more interesting. 
Helena and Demetrius are most likely to belong to each other while Hermia and Lysander. What is surprising is that such a pairing never takes place. Rather, Titania and Demetrius fall in love with each other, and Lysander, under the influence of the supernatural, abandons Hermia for Helena. Meanwhile, Demetrius also falls in love with Helena. Amidst the play of love and desire,

This a Theatre/theory English bullet-pointed paper. Please refer to the assignment instructions. Just do it to your best of your ability. I just want to at least pass. Please also refer to the...

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