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Microsoft Word - CPDA Assessment and Feedback form
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Assignment Brief (including Format)
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1st (70+)
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Date posted
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    Course Name: Rethinking Documentary: New Perspectives and Practices
    Course Code: CINE1004
    Due in: 15/11/2018
    Brief: A 1000 word reflective analysis/essay on "How can we write effectively about documentary filmmaking in contemporary society?" You will need to submit a reflective essay on existing documentary practice. Your analysis should examine and show critical awareness of one or more modes of documentary filmmaking, genres or methodological approaches of making documentary. What you chose to focus on will depend on what interests you have in particular from what has been covered during seminar, films and activities in the classroom and your own readings.
The essay should demonstrate your ability to analyse and argue convincingly, supporting your argument with examples. You must include both citations from the primary text (i.e. documentary scripts or transcripts, films or other original media material) and reference to secondary sources (i.e. the set and recommended texts for the module and/or other relevant sources that you have consulted as part of your research).
Please consult full guidelines in the Module Outline.
Examples of topics:
* Impact and Evolution of Documentary films on society
* Value of participatory documentary films
* The role of documentary in social media/society/culture
* How documentary can be a tool for change
* Why documentary matters
* Economic value of documentary films
* The role of the audience in documentary filmmaking
    Learning Outcomes: 1) Synthesize concepts of new forms of digital production methodologies
2) Understanding of the workings of media and their
oad cultural and social impacts
3) Manifest critical and reflective appraisal of digital media
    Equipment Facilities Resources: Word processo
compute
    Hours: 40
    Assessment Task: CW1 Reflective Essay
    Weighting: 40
    Date of Return: 3 weeks
    Tutor Name: Dr Jodi Nelson-Tabo
    Category 1: Analysis
    Category 2: Conceptual Framework
    Category 3: Structure
    Category 4: Use of Language
    Category 5: Format
    First C4: Highly fluent and precise writing style. Academic register. No gram- matical e
ors.
    First C2: Highly developed conceptual frame- work. Well supp- orted by relevant secondary sources
    First C5: Sources co
ectly referenced. Text double spaced. Not over or under length.
    First C1: Close reading, excellent knowl- edge of material, sophisticated understanding.
    First C3: Coherent, relevant and logical argu- ment. Presents an original thesis with clarity and rigour.
    2:1 C1: Close reading, good knowledge of material, good understanding.
    2:1 C2: Clear conceptual framework. Supported by relevant secondary sources
    2:1 C3: Coherent, relevant and logical argument. Presents a clear thesis.
    2:1 C4: Reasonably fluent and precise writing style. Academic register. Few grammatical e
ors
    2:1 C5: Sources mostly co
ectly refer- enced. Text double spaced. Not over or under length.
    2:2 C1: Close reading, reasonable know- ledge of material, adequate understanding.
    2:2 C2: Discernable con- ceptual frame- work. Some reference to secondary sources,
    2:2 C3: Clear argument. May require more coherence or relevance. Adeq- uate conclusion.
    2:2 C4: Some awkward- ness or lack of precision. Possibly some grammatical e
ors.
    2:2 C5: Some referencing e
ors or text may not be not double spaced. Not over or under length.
    Third C1: Needs to show better knowledge & understanding &/or evidence of close reading
    Third C2: Conceptual framework needs work. Insufficient reference to sources.
    Third C3: Relevant points but requires more coherence and/or relevance. May lack a conclusion.
    Third C4: Needs work to improve fluency/clarity and/or grammar.
    Third C5: Sources inco
ectly referenced. Text may not be double spaced. May be ove
under length.
    Fail C1: Insufficient knowl- edge & understand standing of mat- erial, little proof of close reading
    Fail C2: Insufficient conceptual framework. No reference to secondary sources.
    Fail C3: Few relevant points. No coherent or relevant argument.
    Fail C4: Extreme awkwardness of expression &/or serious gramm- atical e
ors.
    Fail C5: Sources not refer- enced. Text may not be double spaced. May be ove
under length.
    Serious Fail C1: Little knowledge or understanding of material, little proof of close reading.
    Serious Fail C2: No discernable conceptual framework. No reference to secondary sources.
    Serious Fail C3: No relevant points. No coherent or relevant argument.
    Serious Fail C4: Unintelligible because of written English and/or serious gramm- atical e
ors.
    Date of Brief Publication: 20/9/18
    Serious Fail C5: Sources not referenced. Text not double spaced. Over or under length.
    Lock:
Answered Same Day Nov 12, 2020

Solution

Binati answered on Nov 14 2020
161 Votes
6

How can we write effectively about documentary film-making in contemporary society?
Reference Style: APA; Words: 1000
Table of Contents
LO1. Concepts of new forms of digital production and methodologies    2
LO2. Understanding the workings of media and their
oad social and cultural impacts    4
LO3. Manifests critical and reflective appraisal of digital media    5
LO1. Concepts of new forms of digital production and methodologies
Documentary filmmaking in the contemporary society deals with the real events, locations and people which are easy to film. The writing or script is very important in documentary filmmaking (Martin, 2011). The documentary mode is the scheme of conceptual which is developed by the documentary theorists which finds specific traits and conventions of styles of various documentary films. Nichols identified six different modes of documentary filmmaking in contemporary society which are (Martin, 2011):
· Poetic mode
· Expository mode
· Observational mode
· Participatory mode
· Reflexive mode
· Performative mode
Poetic mode
Tends towards subjective interpretation, gives light on rhetoric and have traditional na
ative content like individual characters and events undeveloped. Creating particular tone involving temporal rhythms and spatial association in it. The poetic mode emphases on the point of facing the world not through objective representation but tries to observe the world aesthetically in emotional and poetic manner (Martin, 2011). Example of poetic mode is Godfrey Reggio’s Koyaanisqatsi (1982), Joris Iven’s Regen (1929) documentary film.
Expository mode
John Grierson’s documentary expository mode where social propaganda and social problems are given exposition in filmmaking - Sussex (1972) is an example in which there is rhetorical content with goal of persuasion. Na
ation, footage functions to reinforce ve
al na
ative. Involvement of rhetoric, supporting visual information in expositional mode is seen today.
Viewers are addressed directly with the titles or the voices which progress an argument about historical world (Flynn & Tracy, 2013). Most frequently pictures only become representation of the authoritative commentary followed. A logical connection between sequences is predominant.
Digital rhetoric defined as the link between the literacy and the techniques of texts in the form of computer a
itrated communication (Flynn & Tracy, 2013).
The convergence continuum model approach focuses on the various modes of digital rhetoric in the global world. Multimodality intercultural theories of globalization and integrates...
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